Audio Ads on Pandora

You might have run across the handful of articles in the last day or so about online "predictive" radio service Pandora adding audio ads. This move is no doubt an attempt to develop a sustainable revenue stream for Pandora's free services (the company also offers yearly ad-free subscriptions for $36).

We at FMC are big Pandora fans, and we know we're not alone. It's a good bet that the service's regular users will continue to support it, largely due to Pandora's easy-to-use and highly addictive architecture that allows listeners to customize any number of "radio stations" based on their musical preferences. But we'll have to wait and see.

Pandora founder founder Tim Westergren said that ads would only appear once every two hours, which is nowhere near the level of interruption heard on commercial terrestrial radio. Westergren has been front-and-center in the ongoing webcasting royalty rate negotiations, claiming that the rates set forth by the Copyright Royalty Board in March 2007 would drive Pandora and other online broadcasters out of business.

In our original response to the CRB decision, FMC “urge[d] the parties to work together to strike a balance that recognizes the value of webcasting, but also properly compensates artists, performers and labels for uses of their work." We also voiced our support for a Public Performance Right for terrestrial radio, which online broadcasters pay but over-the-air stations do not. (Check out FMC Executive Director Ann Chaitovitz's January 7, 2009 Huffington Post Op-Ed and our Performance Right Fact Sheet to learn more.)

Negotiations between labels, artists, big and small webcasters and SoundExchange (the organization tasked with collecting and distributing royalties from online broadcasting) continue. This FMC post from September 2007 helps explain what will happen should all parties come to an agreement.

In related news, we're thrilled to have Tim Westergren confirmed as a panelist at our upcoming DC Policy Day on February 11, 2009 at the National Geographic Society here in Washington. You'll wanna think up some good questions and reserve your spot now! A limited number of musician scholarships are still available; head here to apply.

Review and Pics of Big Shoulders Ball

Pitchfork has an awesome review of the Big Shoulders Ball: Chicago Celebrates Change, the Inauguration Eve concert held at the Black Cat in D.C.

Hosted by Windy City club the Hideout and, ahem, "community organizers" Interchange, Big Shoulders boasted a kick-ass lineup that included Andrew Bird, Tortoise, the Waco Brothers, Ken Vandermark, Sally Timms, Jon Langford, Icy Demons, Freakwater and more. Suffice it to say, we were thrilled to be the co-beneficiaries (along with the Chicago Public Schools marching bands program) of such an awesome and historic event.

We'll be posting our own pictures once our hangovers subside. . .

A2IM's Rich Bengloff in Huffington Post

If you've been following FMC's work, you've no doubt heard us talk about the American Association of Independent Music (A2IM) — a forward-looking non-profit organization that represents a broad coalition of independent labels.

A2IM has gone to bat on a number of important issues, including making commercial radio friendlier to independent artists — an effort FMC wholeheartedly supports. In fact, we recently collaborated with A2IM on a report about how indie labels are still having difficulty getting airplay on commercial radio a year after the "Rules of Engagement" with major station groups. (These voluntary agreements were a result of 2006-2007 payola investigations; for more info see our Payola Education Guide.)

On January 15, A2IM President Rich Bengloff published "An Indie Music Memo to the FCC: We Need a Level Playing Field Too" at the Huffington Post. The article calls on the Commission to recognize the indie sector's contribution to the music economy (around 30 percent of all domestic music sold), and says that access to the digital marketplace is crucial to indie artists and labels. That means net neutrality — the principle that protects the open internet — must be preserved. (For more info on net neutrality and the music community, visit FMC's Rock the Net page.)

Bengloff also underscores the need to properly compensate musicians for their creative efforts:

Everyone who embraces the digital model now has access to a global market and can compete. Intellectual Property in general, and music specifically, are big contributors to our economy -- and to our culture. Making certain that open and fair access to market is maintained while supporting fair compensation for the use of music is the worthwhile and achievable goal.

That pretty much hits the nail on the head. Achieving this goal isn't exactly easy, but you can count on groups like A2IM and FMC to keep working towards it nonetheless. You could say the future of music depends on it!

web.illish.us Episode III: Kiss My RSS panel preview

Check out this six-minute panel preview from web.illish.us Episode III: Kiss My RSS! It's about about "How Internet Culture Interacts with the Music Industry," and features Cee Knowledge (Digable Planets), Rich Medina (DJ/Poet/Producer), Anthony Tidd (musician/producer), Montez Roberts (engineer "The Studio") and moderator Andy Hurwitz (Ropeadope Records). Cick here for full panelist bios.

web.illish.us represents a partnership between FMC and realizePhiladelphia to educate the entire web population about the importance of net neutrality — the principle that protects the open internet. Proceeds from the series go to FMC's Rock the Net campaign.

"Kiss My RSS" will be webcast live from Silk City in Philadelphia on Wednesday, Jan 21. The event represents participatory democracy and how blog culture interacts with social and political issues and entertainment. Music lineup:

Oscillations Quartet
Jef Lee Johnson
Doomstone (by Grimace Foundation)

Click here for artist bios.

Watch the full length panel on the web.illish.us live webcast in between musical sets. Or even better, attend in person!

Kevin Martin Resigns From FCC

Current Federal Communications Commission Chair Kevin Martin just announced his resignation from that agency, which wasn't entirely unexpected. Martin will step down on Inauguration Day (January 20), and then join DC-based nonpartisan think tank the Aspen Institute.

Martin's predecessors at the FCC — Democrats Reed Hundt and William Kennard and Republican Michael Powell — were each Aspen Institute Fellows following their tenure at the Commission.

Martin's leadership of the FCC was sometimes controversial, particularly in matters relating to media ownership and the regulation of the cable industry. Yet many found Martin's stint to be less troubling than that of his immediate predecessor Michael Powell, who unsuccessfully pushed for further deregulation of media, including radio. FMC worked alongside other groups in both the 2003 and 2007 media ownership proceedings to hold the line on radio station ownership, urging the Commission to uphold its stated commitments to localism, competition and diversity on the dial.

It was recently announced that Julius Genachowski has been chosen by President-Elect Obama to head the FCC. A tech-policy veteran, Genachowski will likely have different views than Martin on key issues like media ownership and net neutrality.

To learn more about how changes in the policy landscape could impact the music community, check out our third D.C. Policy Day — which takes place at the National Geographic Society in Washington on February 11, 2009. Musician scholarships are available — click here for more info!

Big Shoulders Ball = Sold Out!

Yes indeed, the sure-to-be amazing Big Shoulders Ball — which takes place on Inauguration Eve at the Black Cat in Washington, D.C. — is sold out.

In case you're all, "Big Shoulders Wha?" here's the skinny:

On Monday January 19, Chicago's Hideout Club and Interchange will host "The Big Shoulders Ball: Chicago Celebrates Change." The show features Windy City talent like Andrew Bird, Tortoise, Waco Brothers, Eleventh Dream Day, Jon Langford, Sally Timms, David "Honeyboy" Edwards, Ken Vandermark, Freakwater, Icy Demons and Judson Claiborne. There are also some non-Chicago musicians playing — D.C.’s Ted Leo just got added, and FMC Deputy Director Jean Cook will also be sitting in with an act or two.

Proceeds from will go to the Chicago Public Schools marching bands program and FMC. If you already bought a ticket, we’ll see you there! If not, well. . . maybe next inauguration?

We were psyched to read the New York Times Magazine article on Andrew Bird that ran a short while ago. Andrew has a new album that comes out the day after the Black Cat show, which also happens to be Inauguration Day. Hmm, a Chicago musician releases an album on the day a fellow Chicagoan becomes President. . . sounds like some kind of strategy.

Either way, we're psyched to see him and all the other acts on Monday night!

FMC's Kristin Thomson on Minnesota Public Radio

FMC co-founder and Education Director Kristin Thomson was featured on the January 9 episode of "Weekend America" — a nationally-syndicated Minnesota Public Radio program. (You might be familiar with MPR's "Prairie Home Companion" and "Sound Opinions.")

Kristin talked spoke briefly about mashup artist Girl Talk and the sample license clearance process, which could very well make GT's latest, Feed the Animals, illegal. (Check out our earlier blog post for a megaton of information on this hot topic).

You can read listen to and read a transcript of Kristin's interview with MPR's John Moe right here.

A New Chair at the FCC?

There's a lot of talk in Washington (and elsewhere) about President-Elect Barack Obama's apparent choice of tech-policy veteran Julius Genachowski as the next Chair of the Federal Communications Commission.

Genachowski previously served as chief counsel for Clinton-era FCC chairman Reed Hundt, and is a former Harvard classmate of Obama's. He was instrumental in the campaign's digital strategy, which included the use of social networking and other online outreach tools to build and sustain momentum. Genachowski has also worked as a venture capitalist and internet executive, so he's clearly familiar with that "series of tubes" known as the worldwide web.

The Washington Post ran a brief item about the Genachowski pick today (January 13). Soon, the story was picked up by the Wall Street Journal, the L.A. Times, and Ars Technica, to name a few.

During the Obama campaign, Genachowski helped formulate the candidate's positions on media ownership and net neutrality, so it's safe to say these perspectives would inform his role as Chair. Still, it's far too early to speculate on what a Genachowski-led FCC will ultimately look like — especially with other Commissioner seats still being sorted out.

We'll definitely be watching to see how this comes together, and as always, we'll do our best to keep you informed about what it might mean to the music community. If you're looking for some up-close insights about how changes in the policy landscape could impact creators and fans, you'll definitely want to attend our third D.C. Policy Day on February 11. Musician scholarships are available — click here for more info!

Podcast Interview with Tom Roe of free103point9

Back in October 2007, the FCC opened a brief licensing window for full-power, non-commercial stations. FMC and our friends at Radio for People thought this would be the perfect (and rare) opportunity for community arts organizations to get on the dial. We worked to identify qualifying groups, letting them know about the possibility and assisting interested parties with the application process.

Now, the approvals are starting to trickle in. New York State "transmission arts" collective free103point9 was recently awarded an FCC license to launch a 3,300-watt FM radio station on 90.7-FM in Greene and Columbia Counties.

Freelance journalist and radio enthusiast Mike Janssen (who worked on and has written about the full power licensing process) recently interviewed free103point9's Tom Roe about how they plan to build a community-oriented radio station from the ground up.

Listen to the podcast here (right -click or option-click to download).

Talkin 'Bout the FCC

With a new federal administration on its way, there's been a lot of talk about possible changes at the Federal Communications Commission — the agency charged with regulating the public spectrum (including television and radio broadcasting), as well as "interstate telecommunications" (like the phone lines, radio and cable). Increasingly, the FCC is called upon to deal with internet issues like net neutrality. So you can see why people are paying attention to how things shake out over there.

Some, like law professor Lawrence Lessig, have advocated for scrapping the FCC and replacing it with an innovation-oriented agency. Others have called for a more measured approach. On January 5, 2009, the Washington group Public Knowledge co-presented (with Silicon Flatirons) "Reforming the Federal Communications Commission"— a conference that examined the agency's history while discussing its possible future.

Now, Public Knowledge and has launched a website "to provide information and solicit your suggestions about what changes need to take place at the FCC for the agency to restore the public’s confidence that it will meet its legal obligation to promote the 'public interest, convenience and necessity.'"

The site contains papers and opinions from leading minds in the field. It's pretty wonky stuff, but there's tons of good information about how the FCC can better serve the public interest while allowing for marketplace innovations.

So what does any of this have to do with music? Plenty, actually. Whether its the airwaves or the internet, artists need to be able to reach potential audiences. That's why FMC has worked to fight consolidation in radio station ownership and stop payola, both of which have kept too much talent off the dial. And it's why we support net neutrality, which lets all artists — established or developing — compete on a level online playing field with the biggest companies.

FMC wants more artists to be able to connect with more listeners, so we look at changes in the policymaking landscape as an opportunity to get some stuff right on behalf of musicians. If you want to know more about these issues, you should check out our D.C. Policy Day on February 11, 2009. As always, we're offering musician scholarships — click here to apply. And stay tuned for more news about this exciting event!

Hank Shocklee Nominated for a Grammy!

Producer extraordinaire (and FMC advisory board member) Hank Shocklee was just nominated for a Grammy award!

Hank's nomination is in category of Best Compilation Soundtrack Album for Motion Picture, Television or other Visual Media for his work on the American Gangster original motion picture soundtrack.

The driving force behind the Bomb Squad — the legendary production unit heard on classic Public Enemy records and more — Hank has a vast knowledge of music and a keen sense of how it fits into American culture.

Hank wrote and produced new songs for American Gangster film and soundtrack including the title cut by Grammy-nominated platinum artist Anthony Hamilton (composed by Diane Warren.)

“Ridley Scott wanted someone to bring an authentic sound to the film and create music with a retro late-1960s to mid-1970s feel to it," Hank says of his contributions. "I loved working on this project because it allowed me to go in the studio and imagine a period in time that was the very beginnings of hip hop, where blues, soul, funk, Latin and Afro-beat all started to mesh together and inspired the sounds of the hip hop generation on the streets of New York."

In July 2008, Hank and his brother Keith Shocklee appeared alongside Chuck D and journalist/"media assassin" Harry Allen at a panel discussion about the seminal PE album It Takes a Nation of Millions to Hold Us Back, co-presented by FMC and Chicago's Pitchfork Music Festival. Yes, it was awesome.

Congrats to Hank from all of us at FMC. We'll be rooting for you!

FMC's Ann Chaitovitz on the Public Performance Right in Huffington Post

FMC Executive Director Ann Chaitovitz just published a piece in the Huffington Post about the need for the Public Performance Right on terrestrial radio.

If you've followed our work for a while, you'll probably be familiar with our support of this right, which would pay performing artists (and their labels) for the use of their music on over-the-air broadcasts. You can read our fact sheet on the Performance right here.)

In her article, Ann offers compelling moral and economic reasons for lifting radio's current exemption:

Just like all other types of U.S. copyrighted works, sound recordings should have a performance right. Entertainment is America's number one export, yet the U.S. stands alone in the industrialized world by not requiring radio stations to pay for the use of copyrighted sound recordings — putting us in such exalted company as North Korea, Iraq and Iran. Call it an axis of exploitation.

The new Congress should quickly redress this inequity. In this time of economic recession, it is especially important for the U.S. economy -- American artists and labels will not receive their share of foreign royalties until sound recordings have a performance right in the U.S.

She also points out the fact while webcasters and other online music services pay performing artists, commercial terrestrial radio does not, creating an inequity in the royalty environment that affords traditional broadcasters a market advantage. But it's really about the performing artists themselves. "The situation can have tragic consequences for older R&B and soul artists, American cultural icons who deserve and need compensation," Ann says.

Read the full piece here.

Good News From New Orleans!

Al "Carnival Time" Johnson plays the "Hope for Home" benefit house party in 2007.

Regular readers will be familiar with FMC's efforts to help New Orleans musicians, like our annual Artist Activism Camp and benefit concert, where artists from around the country come together to discuss best practices for advocacy and play a show to help NOLA musicians still struggling in the aftermath of Hurricane Katrina.

One such musician, Al "Carnival Time" Johnson, just got great news. As of December 29, the New Orleans R&B and Mardis Gras legend has brand new digs, courtesy Habitat for Humanity. Al lost everything in Katrina, including his longtime dwelling in the Lower Ninth Ward. Now he can finally come home.

This was a long time coming, and represents the hard work and generous support of individuals and groups like Sweet Home New Orleans — a non-profit that helps Big Easy artists get back to their neighborhoods and communities.

Congrats to Al on his new place!

FMC at APAP 2009!

Attention, New Yorkers!

FMC is partnering with the Association of Performing Arts Presenters and FTM Arts Law to present a special copyright/royalties track at the 2009 APAP Conference in NYC. This years' event takes place at the Sheraton and Hilton Hotels in the Big Apple from January 9-13.

The three sessions FMC is participating in will look at the basics of copyright, contracts and royalties (Sunday, Jan. 11), a best practices discussion/support group for folks who have encountered royalties and copyright issues in their presenting/producing work (Monday, Jan. 12), and a policy update on where the copyright landscape is headed (Friday, Jan. 9).

Scroll down for more info on the presentations/discussions.

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Media Ownership Matters! + 2008 Copyright Policy Roundup Friday, 1/9/09, 3:00 p.m. – 5:00 p.m. Sheraton New York in Conference Room I

Wondering if radio is ever going to play anything good again? Sure the internet has changed everything, but will “net neutrality” change the internet? So what are these “white spaces?" Heard about Orphan Works, but not sure what they are? So when are they going to straighten out all the “gray areas” around royalties and copyright anyway? Will the webcasting rates ever be settled?

Join Future of Music Coalition for an artist and presenter-friendly roundup of major technology, copyright, and policy issues from 2008, as well as the first look at what to expect from the new administration in 2009.

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Copyrights and Licenses: Myths and Misunderstandings Sunday, January 11, 2009 from 9:30am – 11:30am Hilton, Sutton North

As with other industries that create and sell valuable assets, the performing arts industry creates, manages, and sells passion and experiences in the form of words, sound, images, design, and movement. Issues regarding the ownership of and rights to use such materials are important not only for those who create them, but the managers and agents who promote them and the presenters and venues which display them. The internet, digitalization, and other new technologies have made these issues even more complex.

With expertise in representing and counseling clients in the fields of entertainment and the performing arts, and in simplifying and de-mystifying the complex and arcane, Brian Taylor Goldstein will present basic concepts and practical considerations in the areas of copyright protection, rights management, and licensing the rights necessary to use materials created and owned by others. He will also be on hand to address your specific questions and concerns.

- How can I protect my own work?
- When do I need or not need to obtain permission to use someone else’s work?
- How do I obtain permission to use someone else’s work?
- What special challenges are posed by the Internet?

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Intermediate/Advanced Copyright Issues Roundtable Monday, 1/12/09, 9:30 a.m. – 11:30 a.m. Sheraton New York in Conference Room I

A follow up to Sunday morning’s “Copyrights and Licenses: Myths and Misunderstandings” basic session, this interactive session brings together presenters, agents and artists to share horror stories, best practices, and get the straight facts on practical issues around royalties, copyrights, and
licenses.

Hosted by Ann Chaitovitz from Future of Music Coalition and Brian Taylor Goldstein of FTM Arts Law.

Early Bird Registration for DC Policy Day Until Dec. 31

FMC will be hosting its third DC Policy Day on Wednesday, February 11, 2009, where some of the smartest voices in music, law, technology and policy will convene to discuss how changes in media, broadband and copyright policy might impact the music/technology communities.  You can't afford to miss this!

Take advantage of an early bird registration price of $40 from now until December 31, 2008.

Info | Schedule | Register | Musician Scholarships | Tell Your Friends!

Confirmed Speakers (as of 12.30.08)

FCC Commissioner Michael J. Copps
FCC Commissioner Jonathan S. Adelstein

Michael Bracy Policy Director, Future of Music Coalition
Rick Carnes President, Songwriters Guild of America
David Carson General Counsel, US Copyright Office
Parul Desai Associate Director, Media Access Project
Peter Gordon President, Thirsty Ear Records
Peter Jenner Sincere Management and Secretary General, IMMF
Zahavah Levine General Counsel & VP Business Affairs, YouTube
Steve Marks Executive VP and General Counsel, RIAA
Walter McDonough General Counsel, Future of Music Coalition
Sascha Meinrath New America Foundation
Michael Petricone Senior VP, Government Affairs, Consumer Electronics Association
Derek Sivers Founder, CD Baby
Tim Westergren Founder, Pandora
Brian Zisk Technologies Director, Future of Music Coalition

...with more to be announced in January.

Register now!
Just two more days to take advantage of early bird rate of only $40.
Secure online registration

Musicians' Scholarships Available
As always, we're offering a limited number of scholarships that allow working musicians to attend the event for free, to ensure that musicians are not left out of the music/policy debates. Head here for more information or to apply.

The Net Effect.

Today (Dec. 22, 2008), the Media & Democracy Coalition — of which FMC is a member — released a "Statement of Public Interest Groups on Proposed Broadband Principles in Upcoming Economic Stimulus Package." That's a mouthful, we know. Despite its tongue-twisting title, the document offers well-thought out reasons why policymakers should focus on a coherent national broadband policy that includes accountability, local approaches, metrics for access and adoption, and a committment to open network structures.

FMC believes that better broadband penetration will expand the legitimate digital music marketplace, and ultimately connect more artists with more listeners. We also think that any internet strategy must honor the principles of net neutrality, which provides all musicians — established or developing — with a means to reach potential audiences. And as you may have noticed, we're pretty into localism — be it in community-based broadcasting or online initiatives that contribute to sustainable cultural communities.

The following is from the intro of the statement:

President-Elect Barack Obama and Congressional leaders are calling for government support to fund universal broadband Internet access as part of a potential economic stimulus package. We applaud these discussions and strongly believe that providing every community in America with high-speed Internet access – particularly those who have long remained on the margins of public participation and debate – is essential to the economic and democratic future of the U.S.

The undersigned organizations, which represent a broad coalition of local and national public interest groups, strongly support investments in broadband build-out, as well as the training, tools and other resources needed to connect those that are currently on the wrong side of the digital divide.

The economy is inextricably tied to infrastructure, of which the internet is an increasingly large part. We hope that the incoming leadership recognizes this, and takes steps to enhance democracy, culture and American competitiveness through smart and forward-looking broadband policies. The future of music (and so much more) depends on it.

Read the full statement here.

DC Policy Day 2009!

Join us in Washington, DC on Wednesday, February 11, 2009 for FMC's second DC Policy Day. Scheduled just two weeks after the inauguration, this day-long event will bring a laser-beam focus on how media and broadband policy affect the music industry, and how changes in copyright law could impact music and technology communities. Panelists and speakers will represent leading stakeholders in the music/tech policy space, with a particular emphasis on individuals who are central to setting the agenda in 2009 and beyond.

DC Policy Day
Wednesday, February 11, 2009
9:00 AM — 6:00 PM with cocktail party to follow from 6:00 - 8:00 PM
National Geographic Music and Radio and National Geographic Live!
Early Bird Registration: $40 until January 1, 2009
Musician scholarships Available!

Info
Register
Scholarships
Press Credentialing
Tell Your Friends

CONFIRMED SPEAKERS (as of 12.22.08)
- FCC Commissioner Michael Copps
- FCC Commissioner Jonathan Adelstein
- David Carson, Associate Register for Policy & International Affairs, U.S. Copyright Office
- Rick Carnes, Songwriters Guild of America
- Derek Sivers, Founder, CD Baby
- Tim Westergren, Founder, Pandora
...with more to be announced shortly!

REGISTER NOW!
Early bird registration is available for the discounted rate of only $40 until December 31, 2008. Secure online registration

MUSICIANS' SCHOLARSHIPS AVAILABLE
As always, we're offering a limited number of scholarships that allow working musicians to attend the event for free, and ensure that musicians are not left out of the music/policy debates. Head here for more information or to apply.

SPONSORS
Thanks as always to our generous sponsors:
Google * American Federation of Musicians

Interested in sponsoring?
Contact John Henkel at jhenkel@futureofmusic.org.

We hope you will join us for what's going to be another spectacular event!

Rocking the Inauguration!

You may have heard that our town is gonna get pretty wild around inauguration. Factor in the legendary Chicago venue the Hideout bringing kick-ass bands to the Black Cat in D.C., and a raucous party is a given. And we'll be on hand to make sure.

On Monday January 19, Chicago's Hideout Club and Interchange are bringing some of the finest musical talent in the Windy City right here to Washington, DC. "The Big Shoulders Ball: Chicago Celebrates Change" features such incredible Chicago-based artists as Andrew Bird, Tortoise, Waco Brothers, Eleventh Dream Day, Jon Langford, Sally Timms, David "Honeyboy" Edwards, Ken Vandermark, Freakwater, Icy Demons and Judson Claiborne, plus special guests to be announced. (FMC Deputy Director Jean Cook will also be playing with one or more bands!)

Proceeds from this amazing show will go to the Chicago Public Schools marching bands program and FMC. Tickets are $50, and available at the Black Cat and Ticketmaster. A show like this is certain to sell out very quickly, so grab yours now!

You'll also get to play dress-up! Ball-goers are encouraged (but not required) to wear vintage, thrift-store, hand-me-down and ex-bridesmaid formal attire. New administration aside, this is a rock show.

We'd also like to take a moment here and recognize how incredibly awesome the Hideout is, as a venue and as a group of people. In addition to their regular venue schedule that includes some of today's best indie rock, bluegrass and jazz, they organize an annual Hideout Block Party that attracts thousands of music lovers to Chicago. They've also played host to FMC's own events and have actively worked to spread the word about FMC in the Chicago community.

We'd love to celebrate this incredible moment with you. There's plenty of work to be done in 2009, but before we roll up our sleeves, let's take a night to party with some incredible music and great company. Hope to see you there!

The Hideout Presents: The Big Shoulders Ball
Monday, January 19, 2009
The Black Cat
1811 14th Street, Washington DC
202-667-4490
Buy tix: www.blackcatdc.com or www.ticketmaster.com

Dear Mr. President-Elect

Today (December 18, 2008), more than 100 groups, unions, musicians, bloggers and media and technology leaders sent a letter to President-Elect Barack Obama calling on his administration to appoint leaders who will reform the media and protect the open Internet. FMC (and members of Pearl Jam and R.E.M.) were among them.

Below is the text of the letter. Click here (PDF) to see the full list of signatures.

President-Elect Obama:

We congratulate you for putting crucial media and technology issues in the public spotlight. Not only did your campaign embrace new technology and innovative media, you have embraced these values in your policy agenda. Your commitment and detailed plan represent a fundamental shift toward communications policy in the public interest. We happily offer our support and service in pursuit of our common goals.

We look forward to working with the leaders you will appoint to the White House, such as the Chief Technology Officer, the positions on the Federal Communications Commission, the Federal Trade Commission, Corporation of Public Broadcasting and in the Commerce, Education, Justice and Agriculture departments. We urge you to select strong proponents of the public interest who will embrace and enact the policy proposals you made on the campaign trail to shape the future of the media, the Internet, the economy -- and our democracy.

Together, we have a unique opportunity to break with the past, lift the stranglehold industry lobbyists have had on communications policy, and put the public's priorities first. In your own words, you pledged:

• Protect an Open Internet: To "take a backseat to no one in my commitment to Net Neutrality" and "protect the Internet's traditional openness to innovation and creativity and ensure that it remains a platform for free speech and innovation that will benefit consumers and our democracy."
• Promote Universal, Affordable Broadband: To see that "in the country that invented the Internet, every child should have the chance to get online" by bringing "true broadband to every community in America."
• Diversify Media Ownership: To create "the diverse media environment that federal law requires and the country deserves."
• Renew Public Media: To foster "the next generation of public media," and "support the transition of existing public broadcasting entities and help renew their founding vision in the digital world."
• Economic Growth: To "strengthen America's competitiveness in the world" and leverage technology "to grow the economy, create jobs, and solve our country's most pressing problems."
• Open Government: To reverse "policies that favor the few against the public interest," close" the revolving door between government and industry," and achieve "a new level of transparency, accountability and participation for America's citizens."

The more than one hundred people who signed onto this letter -- and the millions more we represent in our organizations, workplaces and communities -- join your call to create a more vibrant and diverse media system and to deliver the benefits of the open Internet and new technology to all Americans.

web.illish.us: Digital Love tonight!

web.illish.us — the multifaceted event series to support net neutrality — continues tonight with Episode II: Digital Love. web.illish.us is a partnership between realizePhiladelphia and FMC, with proceeds going to our Rock the Net campaign for net neutrality. The events take place at Silk City in Philadelphia on the third Wednesday of the month through February 18, 2009.

Digital Love goes live on December 17, at 9PM (tonight!), and features musical acts Lo Life (members of Brothers Past, Biodiesel and MJ Project), Dialects (members of Burndown All Stars) and Dephonic. DJs Law One and Ras Heights will keep the party going in between live sets.

The theme this time around is digital inclusion — which is the idea of equal broadband access for everyone, no matter what background or walk of life. Todd Wolfson of Media Mobilizing Project will lead a discussion about this important concept, featuring Beth McConnell of the Media and Democracy Coalition, the Reverend Jesse Brown and Phuong Ninh of the Philadelphia Student Union. Charles Gregory of 3 Guys Don’t Lie will once again play host.

One of the coolest things about web.illish.us is the fact that you don’t have to attend to attend. What? You read that right — the shows are all live webcast. There’s even a live chat that lets you connect with all the other remote viewers.

If you missed the last episode (virtually or in-person), you can check out a video archive here.

Hope to see you there!