Showing posts with label What's the Future For Musicians?. Show all posts
Showing posts with label What's the Future For Musicians?. Show all posts

Wednesday, March 4, 2009

DIY Digital – An Up Close Look


FMC pal Charles McEnerney of Well-Rounded Radio (a very cool podcast site that conducts interviews and connects listeners to what’s happening outside of mainstream music) recently spoke with Jeff Price, founder/CEO of TuneCore — a service that allows musicians to distribute their music to all the online retailers and on-demand streaming sites such as iTunes, Amazon MP3, eMusic, Rhapsody, Lala and Napster. Both McEnerney and Price were at our "What's the Future for Musicians?" event last year in New York, so we thought it would be a good idea to share with you some of the highlights from the latest Well-Rounded podcast.

The interview focuses on how artists can use a service like TuneCore to get their music to fans. The way we discover and access music these days is different from even five years ago, and, while CD sales are in decline, digital sales are climbing. Today’s musicians no longer need the backing of a label to digitally distribute their music, thanks in part to new services that do it for a fairly nominal charge.

With TuneCore, you pay around $35 (not bad considering you keep all of your rights and revenues), then uploads your audio files. After a short processing time, voila! your work is on sale to the 1.5 billion people online. Other perks include TuneCore’s relationship with Guitar Center, which gives artists the chance to have their music played throughout the retailer’s 220 stores (that is, if it can be heard over the fumble-fingered renditions of “Stairway to Heaven”). TuneCore also emails revenue updates and even has its own chart in Billboard.

But the real question is, is TuneCore worth it for musicians? According to Price, the answer is yes. As he says in the podcast interview, TuneCore releases more music in a day than traditional labels put out in a year. Waiting around for an A&R executive to discover you may no longer be necessary — if you can cultivate an audience, you can sell to them directly. Then there’s the limitless “shelf space” offered by digital, meaning you don’t have to press thousands of CDs and ship them out (of course, you can still do this if you want to — TuneCore also offers small and large-batch CD duplication).

And it’s not just unsigned musicians on TuneCore — mainstream acts like Nine Inch Nails and Paul Westerberg have also used the service. In fact, Aretha Franklin will be using TuneCore to distribute her performance of ‘My Country Tis of Thee” (you know, when she wore that crazy hat at President Obama’s inauguration?)

We at FMC are impressed by the growing number of digital music services available to artists. (It’s important to remember that all of this is made possible by net neutrality, which lets start-ups and indie artists exist on an equal technological playing field with the big companies). Which means that TuneCore, while very cool, is hardly the only DIY game in town. CDBaby — an online record store that has sold more than five million CDs from independent artists — also services to digital stores like iTunes, Amazon and eMusic. Then there’s ReverbNation, which started out as a marketing service/streaming player but has recently gotten into the digital distro game. For artists on independent labels, there’s companies like Iota and The Orchard.

If you want to hear more from TuneCore’s Jeff Price, you should check out the audio/video archives from our “What’s the Future for Musicians?" event, which took place in New York City on October 6, 2008. Well-Rounded Radio’s Charlie McEnerney was also on hand for a breakout session on podcasting. You'll find them both right here.

Feel free to let us know in the comments what sites and services you use to get your music out there!

Friday, October 3, 2008

Clock is Ticking on FMC's NYC Events!


FMC Policy Director Michael Bracy at"What's the Future for Musician?" Chicago

There's only three days until our final two fall events, both of which take place at the Public Theater in New York City on Monday, October 6. Online registration closes at 11:59 PM this Saturday, Oct. 4, but we'll also be taking on-site walk-up registration as space allows. Slots are filling up really quickly, so reserve your spot now!

We're really excited to be bringing our "What's the Future for Musicians?" seminar to the Big Apple. This info-packed event offers musicians, indie labels and fans up-to-the minute info about internet-based promotion and distribution options, how to navigate the health insurance landscape, the importance of open internet structures and how copyright law and business models affect musician compensation. Breakout sessions will cover such topical subjects as new revenue streams for musicians, podcasting and webcasting, international touring and New York funding opportunities for artists. It's a great way to get the latest music-tech-policy scoop, interact with the experts and network. Did we mention there's a post-event cocktail party? That's how the pros network!

What's the Future for Musicians? NYC
Monday, October 6, 2008
12:00 PM — 6:00 PM with cocktail party to follow 6:00 - 7:00 PM
The Public Theater, New York, NY
Registration: $25
Only 5 more musician scholarships left! Apply today!

Info
Register
Scholarships
Tell Your Friends!
(Check out our Flickr photostream from the What's the Future for Musicians?" Chicago, which took place on September 22.)

Immediately following the musician education seminar at The Public is "Creative License: A Conversation About Music, Sampling and Fair Use," which kicks off at 6PM with a cocktail party (the discussion begins at 7PM).

As part of a multi-part discussion series, FMC and media professor Kembrew McLeod (University of Iowa) will examine this issue in-depth.

Joining FMC and McLeod are experts from all sides of the debate, including producer EL-P of Def Jux Records, musician T.S. Monk, June Besek, Executive Director of the Kernochan Center for Law, Media and the Arts at Columbia Law School, and Peter Jaszi, Professor of Law and Intellectual Property at American University.

Attorneys attending this event can earn 1.5 professional practice credits. Attendees of the earlier event who do not need CLE credits will be able to attend "Creative License" free of charge.

Creative License
Monday, October 6, 2008
6:00 PM – 8:30 PM (following a 6PM cocktail party)
The Public Theater, New York NY
Admission with CLE credits: $75
Discounted CLE rates for ACS attendees or members of BESLA or CSUSA: $50
Regular Admission: $25, a very limited number of CLE and musician scholarships are still available

Info
Register or Get More Information on CLE
Scholarships
Tell Your Friends!

Wednesday, September 24, 2008

Thank You, Chicago!



FMC staff just got back from the land of Bears and brats, and, while we're happy to be home, we're already wondering how we're gonna find an excuse to get back to the Windy City.

We had blast at both the "What's the Future for Musicians?" event (Sept. 22), and the Hideout Block Party (Sept. 20-21). Chicago is a mighty fine city, and we were honored to give its musical inhabitants some tips about the challenges and opportunities of this digital era.

Special thanks to our friends at Illinois PIRG who volunteered to run our table at the Block Party on Saturday. We took the reins on Sunday, spreading the word about our Rock the Net campaign and the importance of net neutrality to the music community. Beers were drank, music was heard and info was exchanged throughout a gorgeous Windy City afternoon and evening.

The following day was the "What's the Future for Musicians?" seminar, which took place at the incredible Old Town School of Folk Music — a 50 year-old music education institution that proved a perfect fit for FMC. Many, many thanks to all of the OTS staff and volunteers who acted as true partners in on this event.

The seminar itself was well-attended and well-received, with participants engaging with our expert panelists and presenters on a wide range of subjects including new revenue streams for musicians, digital promotion and distribution services, podcasting and webcasting, the "greening" of music and much more.

A particular hit was the special conversation with the Numero Group — a Chicago-based label that uncovers and releases a wide range of music lost to history, from foreign pop sides to forgotten American soul and R&B. Label honchos Ken Shipley and Rob Sevier were joined by Chicago Tribune music critic Greg Kot for an informal exchange that we could've listened to for hours. Alas, thre was more to get to, including the net neutrality presentation and Policy Roundtable.

FMC staff was in full effect, participating in panel discussions, presentations and breakout sessions. Stay tuned for audio and video archives of the day's activities. In the meantime, check out these Flickr shots taken by Events Organizer Chhaya Kapadia.

The whole shebang was part of One Web Day — a global celebration of the open internet. Suffice it to say, we were thrilled to be part of such a dynamic and important event.

If you're closer to the New York City area, you should register for our next "What's the Future for Musicians?" event, which takes place at The Public Theater on October 6. Admission is $25, tough a limited number of musician scholarships are available. Space is filling up quickly; reserve your spot now!

What's the Future for Musicians — NYC
Oct. 6, noon-7 PM
Registration
Musician Scholarships
Spread the Word

Immediately following the musician education event (and cocktail party!) at The Public is "Creative License: A Conversation About Music Sampling, and Fair Use," which kicks off at 7 PM.

More info on that event can be found here.

Thursday, September 18, 2008

Chigago Registration Reminder!


"What's the Future for Musicians" in Buffalo, April 2. Photos by Josh Spaulding

Hello there!

We're still knee-deep in last-minute events details for our "What's the Future for Musicians?" seminar at Chicago's Old Town School of Folk Music on Monday, Sept. 22. It's really coming together, and we can't wait to dazzle Windy City musicians with our humungo brains! (Seriously, we've got a ton of great presentations and panelists lined up; click here to see what we mean.)

Now that the clock is really ticking, we wanted to give you a heads up that online registration for the seminar closes at 11:59 PM on Friday, Sept. 19 (that's tomorrow). So if you wanna do it digitally, you best hop to it.

We'll continuing to take in-person registrations at the Hideout Block Party on Saturday and Sunday (Sept. 20-21), as well as walk-ups at the event. If that's your plan, make sure to bring a checkbook or credit card, because, like those commercials, we don't take cash. (Some of us aren't very good at the maths).

Our Chicago adventure is part of One Web Day — a worldwide celebration of the open internet and the creativity, commerce and expression it inspires. As we mentioned before, we'll be at the Hideout Block Party for two days before our musicians' event talking about Rock the Net — our campaign to preserve the open internet. Make sure you swing by and say 'sup!

If you're not a Chicago-area musician or label, you can still join the Rock the Net campaign and show your support of the open internet. And stay tuned for video and audio of the Windy City seminar.

If you live closer to the Big Apple, you should clear October 6 on you calendar. That's when we'll be in town for the season's final "What's the Future for Musicians?" entry at The Public Theater in NYC. Right after that event (just later in the day) is "Creative License: A Conversation About Music, Sampling and Fair Use." Learn more about that event here.

The "What's the Future for Musicians?" seminars are $25, but a limited number of artist scholarships are available at the event websites:

What's the Future for Musicians? - Chicago Scholarships
What's the Future for Musicians? - NYC Scholarships
Creative License — NYC Scholarships

Monday, September 15, 2008

Events on the Brain!



Hi everybody. Sorry for the lack of posts lately — we've just been super-busy putting the finishing touches on our series of fall events. The first one is a musician education seminar called "What's the Future for Musicians?" that takes place at Chicago's Old Town School of Folk Music on Monday, September 22.

Not to toot our own horn, but we've been working pretty hard to make this event the best it can be. We're really excited about the programming, which will cover a range of topics — including how to use new technologies to promote and distribute music, the importance of open internet structures to musicians, information about health insurance, local arts funding opportunities and much more. there will also be five (count 'em, five) breakout sessions on new revenue streams, podcasting and webcasting, the "greening" of music, local arts funding opportunities and an activism roundtable.

The whole shebang is in conjunction with One Web Day — a global celebration of the open internet, or as some have called it, that "series of tubes." We'll also be hanging out at the Hideout Block Party on Saturday and Sunday (before the Monday musicians' event) spreading the word about net neutrality to concertgoers. Which means we'll be hearing sets from Neko Case, Black Mountain, Monotonix, Giant Sand, the New Pornographers and more. Tough work, we know.

After our escapades in the Windy City, we'll jet back to DC to throw ourselves into our final two fall events, which take place at The Public Theater in New York City on October 6.

The first is another entry in the "What's the Future for Musicians?" series; you can check out the programing deets here. Immediately following is "Creative License: A Conversation About Music, Sampling and Fair Use." That's right, it's the same date and location — just later in the day. Learn more here.

We strive to make all of our events affordable for musicians. The "What's the Future for Musicians?" seminars are $25, but a limited number of artist scholarships are available at the event websites:

What's the Future for Musicians? - Chicago Scholarships

What's the Future for Musicians? - NYC Scholarships
Creative License — NYC Scholarships

If you can't attend these events, you can still help us spread the word via our handy outreach tools:

Spread the Word - WTFFM? Chicago
Spread the Word - WTFFM? NYC
Spread the Word - Sampling NYC

Hope to see you there!

Monday, September 8, 2008

FMC Fall Event Details!

What's The Future for Musicians: Chicago

Remember when we told you about the “What’s the Future for Musicians?” events in Chicago and New York City? Well, now we've got more details, including a date and venue for our sampling panel (also in NYC). An incredible array of panelists and presenters are lined up to inform on a range of topics crucial to today’s musicians. Whether you play rock, jazz, folk, country, world, classical or hip-hop, these events will get you up to speed the issues that affect you — now and in the future.

The Chicago event takes place on Monday, September 22 at the Old Town School of Folk Music. In addition to your pals at FMC, panelists include Nan Warshaw, co-owner of Bloodshot Records — the label for Firewater, The Waco Brothers and Justin Townes Earle, to name a few — Frank Mauceri from the eco-friendly label Smog Veil Records, the Chicago Independent Radio Project's Shawn Campbell and many more. There will also be a special conversation between music critic Greg Kot and the music preservationists behind The Numero Group record label, who will talk about rescuing some of the most interesting and overlooked albums from the dustbin of musical history, and how they build bridges between the analog past and the digital present.

What’s the Future for Musicians? Chicago

12:00 PM – 7:00 PM, Monday, September 22, 2008
Old Town School of Folk Music, Chicago, IL
Registration: $25, but a limited number of musician scholarships are still available
Register
Scholarships

While we’re in Chicago, FMC will also be taking part in One Web Day — a global celebration of the open Internet. For our part, we’ll be hanging out at the annual Hideout Block Party on Sept. 20-21 (right before our musician education seminar), spreading the word about the importance of net neutrality to musicians. If you’re a Windy City native or will be in the area, head to 1354 West Wabansia Ave and hear sets from Neko Case, The New Pornographers, Ratatat, Black Mountain and more. Make sure you swing by and say hello!

Can’t make it to Chicago? Demonstrate your support for network neutrality by joining our Rock the Net campaign.

After Chicago, we’ll be bringing our “What’s the Future for Musicians?” event to New York City’s Public Theater. Join us for this day-long event that includes three panels and a set of simultaneous breakouts, featuring TuneCore’s founder Jeff Price, digital PR expert Ariel Hyatt, Jennifer Wright Cook who is Executive Director of The Field, new music podcaster Molly Sheridan, producer/musician Joel Hamilton and many more!

What’s the Future for Musicians? NYC
12:00 PM – 6:00 PM, Monday, October 6, 2008
The Public Theater, New York NY
Registration: $25, but a limited number of musician scholarships are still available
Register
Scholarships

We’re also really excited to announce the date and venue for “Creative License: a Conversation about Music, Sampling and Fair Use,” which takes place at the Public Theater in NYC on Monday, October 6. That’s right — it’s the same day and location as the “What’s the Future for Musicians?” forum. The panel, which is co-presented by the American Constitution Society for Law and Policy, starts at 7:00 PM. Admission for the sampling discussion is $25, though attendees of the earlier event will be able to attend “Creative License” free of charge.

This subject couldn’t be more relevant, particularly with all the interest in Girl Talk — a DJ/producer who skillfully combines well-known pop, rock, hip-hop and R&B tunes in a party-ready concoction that’s infectious and possibly illegal.

Girl Talk’s latest release, Feed the Animals, illustrates the hurdles in licensing samples for new creative uses. More than 300 songs are sampled on the record, none of which were properly licensed. FMC took a look at what it would take to legally use these works in a blog post about the current sample license process. Girl Talk claims he doesn’t need authorization as his sampling falls under the doctrine of fair use. We’ll be discussing the fair use aspects of sampling at the Oct. 6 event.

If you’re a Twitter user, you can track our every movement as we plan these events. If you're on Facebook, please friend us to stay informed about all our events and activities.

Wednesday, August 13, 2008

Cool HINT Article



There's an article about musicians and health insurance in Seven Days, Burlington, Vermont's alternative newsweekly. Artists who lack coverage is a concern even in that sleepy little college town (which actually has a pretty big music scene). And sadly, the story is the same in both small and big burgs across the country.

The piece talks about folks in the Burlington music community who have suffered severe injuries and didn't have health insurance. It also features some choice quotes from Alex Maiolo — the musician/health insurance expert who manages FMC's Health Insurance Navigation Tool (HINT):

“I think we all agree that the current system is not a good system,” says Maiolo. “But it’s what we’ve got. And while we can talk about what might be a better way, in the interim the short-term solution is to demystify how it works.”

That's exactly why HINT was created: to help musicians understand the tricky jargon associated with health insurance, and provide a way to examine their options — for free. Here's how it works: after scheduling a phone appointment on the HINT website, you'll receive a call from Alex or Chris Stephenson to go over your situation. Remember, HINT doesn't sell insurance. What it does do is provide free, quality information about a really important subject.

If you're a Chicago or New York-based musician, you can meet Alex in-person at our "What's the Future for Musicians?" workshops this fall. In addition to getting information about health insurance, attendees will learn about a range of internet-based promotion and distribution options, the importance of open internet structures, local funding opportunities for artists and how copyright law and business models affect musician compensation. Breakout sessions will provide an opportunity to interact with the experts and network with other musicians, labels and fans.

The Chicago event takes place on Monday, September 22 at the Old Town School of Folk Music. The NYC forum will be held at the Public Theater on Monday, October 6. Admission for each event is $25, though a limited number of musician scholarships are also available for both events. Register early; space is limited!

What’s the Future for Musicians: Chicago Monday, September 22, 2008 12:00 PM – 7:00 PM Old Town School of Folk Music, Chicago, IL

Event site
Register
Apply for a scholarship
Press credentialing
Help us spread the word

What’s the Future for Musicians: New York: Monday October 6, 2008, 1:00 PM – 7:00 PM Anspacher Theater at the Public Theater, New York, NY

Event site
Register
Apply for a scholarship
Press credentialing
Help us spread the word

Tuesday, August 5, 2008

FMC Events: 2008 and Beyond!



It's usually around now that we begin talking about our annual Future of Music Policy Summit, but this time, we're changing things up a bit. Since there’s a Federal election set to take place in November, we decided to organize a few smaller, more focused events in the fall, while gearing up for more policy-related programming early in 2009.

Because last April’s “What’s the Future for Musicians?” seminars in upstate New York went so awesomely, we thought it would be a good time for another road trip. FMC and our whip-smart associates will be in Chicago and New York City this fall for two more information-packed forums for musicians, indie labels and fans.

Attendees will learn about a range of internet-based promotion and distribution options, how to navigate the health insurance landscape, the importance of open internet structures, local arts funding opportunities and how copyright law and business models affect musician compensation.

Not good enough? There will also be special conversations featuring prominent music minds, breakout sessions, and everybody’s favorite — cocktail parties! It’s a great chance to get the latest music-tech-policy scoop, interact with the experts, and exchange ideas and perspectives with other musicians, labels and fans. You could call it networking; we call it good times!

The Chicago seminar will take place on Monday September 22 at the Old Town School of Folk Music. The NYC forum will be held at the Public Theater on Monday, October 6. Admission for each event is $25, though a limited number of musician scholarships are also available for both events. We recommend registering early since space is limited.

What’s the Future for Musicians: Chicago
Monday, September 22, 2008 12:00 PM – 7:00 PM
Old Town School of Folk Music, Chicago, IL

Event site
Register
Apply for a scholarship

Press credentialing
Help us spread the word


What’s the Future for Musicians: New York: Monday
October 6, 2008
, 1:00 PM – 7:00 PM
Anspacher Theater at the Public Theater, New York, NY

Event site

Register
Apply for a scholarship

Press credentialing
Help us spread the word

FMC will also be organizing another event in NYC in October or November, date and venue to be determined. “Creative License: A Conversation about Music, Sampling and the Law” will present a robust but balanced conversation about the legal and social challenges posed by music sampling, and the sample license clearance process — hot topics in this Girl Talk era.

FMC goes back to the future with our Washington, D.C. Policy events slated for 2009. Hot on the heels of the national election, we’ll be holding a Policy Day at the National Geographic Society on February 11. The one-day forum will look at how changes in the policy landscape might impact the music community. Later in ’09, we’ll host our multi-day Policy Summit, which will shed even more light on the issues that are emerging as music promotion and distribution moves to a global, digital platform. Stay tuned for more info on all of our upcoming events.